Artists
The Richmond Folk Festival is now one of Virginia’s largest and most anticipated events of the year. The Festival strives to present the very finest traditional artists from across the nation. In making its selections, a local Programming Committee is guided by the following definition, which is the guide for the National Council for Traditional Arts and the National Folk Festival, as well as the National Endowment for the Arts:
FOLK & TRADITIONAL ARTS – a definition
The folk and traditional arts are rooted in and reflective of the cultural life of a community. Community members may share a common ethnic heritage, cultural mores, language, religion, occupation, or geographic region. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice. Genres of artistic activity include, but are not limited to, music, dance, crafts, and oral expression.
- National Endowment for the Arts
Applications for the 2024 Festival are Now open
Programming discussions take place from December to May with most programming decisions complete by June 1st prior to the year's festivals. All artists must follow the same process. If you're interested in applying for the 2024 festival, check out "How to be a performer at the Richmond Folk Festival"
Festival in Schools
Returning after a hiatus of several years, the Richmond Folk Festival once again fills auditoriums and classrooms at Richmond-area schools with performances and presentations of deeply rooted cultural expressions, shared by some of the country’s finest traditional artists. Read more about this amazing outreach program.
artists performing in 2023
Gospel
West Point, Mississippi
A true family affair, Annie & the Caldwell Singers deliver the glorious quartet gospel singing of Annie Caldwell along with her husband and five of their children. Their energetic and moving musical testimonies, blending fiery gospel sounds with the slow-burn groove of soul, have made them longtime favorites of the traditional gospel circuit in Mississippi’s Golden Triangle—a region formed by Columbus, Starkville, and West Point in the east central part of the state—as well as wherever the gospel highway takes them.
Manding
Ouagadougou, Burkina Faso
Burkina Faso has always marched to its own drummer, and few artists embody its creative, independent spirit as Baba Commandant & the Mandingo Band. The group is led by the charismatic, enigmatic singer Baba Commandant (aka, Mamadou Sanou), an activist for traditional Mandinka music, who alternately growls, whispers, and chants his way through the group’s repertoire whenever he takes up his n’goni. With a tight focus on the interplay between sparkling guitar and the n’goni’s gutbucket funk, this four-piece ensemble reimagines ancient Mandé musical traditions for the 21st century.
salsa
Richmond, Virginia
On the heels of their wildly successful 30th-anniversary shows in 2022, local legends Bio Ritmo are celebrating a hometown reunion at the 2023 Richmond Folk Festival. Although the band’s hard-charging salsa grooves are celebrated by fans worldwide—there are even two bars in Colombia named for them, one for their iconic song “La Muralla”—Virginia isn’t otherwise known as a Latin music hot spot. It’s this very improbability of a salsa band from Richmond that makes Bio Ritmo such a source of RVA pride.
Ukrainian
New York, New York
In pre-industrial Ukraine, the cheres was a wide, metal-studded leather belt, so thick it could ward off bullets; over time it became a talisman of good fortune for the people of the Carpathian Mountains. The band Cheres has likewise become protector of the rich Ukrainian cultural heritage that is today under attack by the Russia’s invasion and propaganda campaign; in the face of this existential threat, their vibrant music is a defiant and joyful statement of Ukrainian identity, from an ensemble celebrated as “the best purveyor of authentic Ukrainian folk music in the United States.”
Haudenosaunee social dance
Onondaga Nation, New York
Highlighted by lightning footwork that seems to float on air, the Smoke Dance of the Haudenosaunee Nation is the most dynamic and popular competition dance at powwows across the Northeast. Onondaga artist Chris Thomas is one of this generation’s most celebrated smoke dancers, recognized for the beauty and fluidity of his steps. He is also an inspiring educator who uses performance to teach about Haudenosaunee culture and history, from the public schools to the festival stage.
rockabilly and honky-tonk
Nashville, Tennessee
For over three decades, singer and guitarist Chuck Mead has been serving up his own irresistible blend of rockabilly, honky-tonk, traditional country, and rock & roll to audiences worldwide. Best known as co-founder of the Grammy-nominated, neo-traditional country group BR5-49, Chuck’s career as a bandleader and solo artist boasts over 170 appearances on the Grand Ole Opry. With a sound equal parts classic and contemporary, he draws inspiration from the golden age of honky-tonk and rockabilly while making the music indisputably all his own.
New Orleans funk and R&B
New Orleans, Louisiana
In New Orleans, as Cyril Neville explains, being a musical family is itself a tradition, and the Neville family is one of the city’s most important musical dynasties—and the first family of New Orleans funk. “It’s the culture here that it’s passed down from one generation to the next,” Neville notes, and his life story certainly illustrates that legacy. At age 74, Cyril Neville, who got his start as the youngest of the four Neville Brothers, is a renowned percussionist who’s been lauded as “one of the last great southern soul singers.” In Richmond, the family tradition comes full circle, as Cyril performs with his son Omari Neville and Omari’s band, the Fuel.
Québécois
Montréal, Québec
Québécois trio Genticorum (pronounced ZHAWN-tee-kore-UHM) has brought traditional French-Canadian music to audiences at home and abroad for over 20 years, driven by a love of the old songs and an encyclopedic knowledge of the dance tunes of Québec. With just three musicians—fiddler Pascal Gemme, guitarist Yann Falquet, and accordionist and flute player Nicholas Williams—Genticorum creates a full-band sound through intricate song arrangements, ferocious playing, and the propulsive rhythm of Québécois podorythmie, the foot percussion that pushes the music to greater heights.
son jarocho
Veracruz, Mexico
Over nearly a half century as the leader of the legendary ensemble Grupo Mono Blanco, Gilberto Gutiérrez Silva has been the driving force behind the resurgent popularity of son jarocho, the signature folk music of the state of Veracruz on Mexico’s Gulf Coast. A movement as much as a band, Mono Blanco has also taught and inspired a new generation of musicians who are creating an international network of communities dedicated to this beloved music.
traditional Hawai’ian hula
Carson, California
Hailing from Carson, California, Hālau ‘O Lilinoe is one of the foremost hālau (hula schools) in the mainland United States, dedicated to presenting hula kahiko (ancient hula), the traditional dance and chant of the Hawai’ian Islands. Beloved for its graceful and powerful performances, the school also celebrates hula as a means of preserving Hawai’ian history, values, and folkways through the passing down of traditions from one generation to another.
traditional Tboli music and dance
Lake Sebu, Philippines
Through their gorgeous performances, the enthralling music and dance ensemble Helobung plays an essential role in the stewardship of Indigenous culture in the Philippines. In their striking red-and-black handwoven attire, and backed by a lush soundscape of traditional percussion, their intricate and expressive dancing masterfully interprets what they call the “tales, tunes, and threads” that sustain the Tboli people. By evoking the finest details of life among the Tboli, Helobung weaves a universally relevant message of cultural resilience and interdependence with nature.
Hindustani violin
San Francisco, California
The name “Kala” means “art” in Sanskrit, and as her guru Pandit Jasraj declared, Hindustani violin phenomenon Kala Ramnath “stands true to her name in every way.” One of the youngest people ever to receive India’s highest honor for performing artists, the Sangeet Natak Academy Puraskar, she is also the first Indian violinist to be featured in The Strad, the “Bible” of the classical violin world, and has thrilled audiences from the London Philharmonic to the Sydney Opera House. Appearing in Richmond in a traditional trio backed by tabla (percussion) and tanpur (a bowed drone), Kala Ramnath plays her instrument with the precision, style, and emotional fluency that make her one of the world’s great violinists.
Cabo Verdean
Brockton, Massachusetts
The lilting strains of Cabo Verdean music, a blend of African and Portuguese influences, are a familiar sound in coastal New England. The region is home to large, established communities of Cabo Verdeans, who first began immigrating to the region in the early 19th century. Maria “Lutchinha” Neves Leite of Brockton, Massachusetts, arguably the finest Cabo Verdean singer to make her home in the United States, will delight audiences with the soothing, soulful sounds of this distinctive musical tradition at this year’s Richmond Folk Festival.
Chicago blues
Chicago, Illinois
Dubbed “the future of the blues” by the Chicago Reader newspaper, Melody Angel is a powerhouse vocalist, guitarist, and songwriter born and raised on the South Side of Chicago. With strong, no-nonsense vocals and thoughtful lyrics that reflect her passion for racial and gender justice, Angel’s singular sound draws upon elements of R&B, rock, and funk, all layered on a strong bed of Chicago blues.
bluegrass
Charlestown, Indiana
One of the foremost fiddlers of his generation, 42-year-old Michael Cleveland has charted an award-strewn course from child prodigy to leader of one of bluegrass’s most exciting groups, the seven-time International Bluegrass Music Association (IBMA) Instrumental Band of the Year, Michael Cleveland & Flamekeeper. Michael’s many accolades continue to accumulate, with a recent feature on NBC Nightly News coming shortly after his 2022 recognition with a National Endowment for the Arts National Heritage Fellowship—our nation’s highest honor for the folk and traditional arts.
zydeco
Lafayette, Louisiana
Representing the crème de la crème of the vibrant Black Creole dance music native to Southwest Louisiana, Nathan & the Zydeco Cha Chas have delivered the rollicking, accordion-driven sounds of zydeco to audiences around the world for almost 40 years. Led by accordionist Nathan Williams, arguably zydeco accordion’s foremost living practitioner, the group is known for its classic style infused with reggae, R&B, and rock—a winning formula for a nonstop party both on and off the dance floor.
quelbe music
St. Croix, U.S. Virgin Islands
One of the most fascinating styles of music to come out of the Caribbean is quelbe music from St. Croix, in the U.S. Virgin Islands. Sometimes known as “scratch,” quelbe is a joyous, percussive homegrown sound. Stigmatized for decades due to its rural roots and seemingly scandalous content, it was declared the official traditional music of the Virgin Islands in 2003. Local legends Stanley & the Ten Sleepless Knights are the leading conservators of quelbe music today. The 10-piece band was launched by a group of friends in 1970, led by flautist Stanley Jacobs, and is recognized as “the premier quelbe band in the world.”
Ozark old-time
Springfield, Missouri
The State of the Ozarks String Band plays distinctive old-time music from its namesake region where string bands provide a rhythmic drive that propels community square dances, the lifeblood of the tradition. The fiddle is front and center in creating this forward momentum, and bandleader David Scrivner is one of the most in-demand dance fiddlers in the Ozarks, following the legacy of his mentor, National Endowment for the Arts National Heritage Fellow Bob Holt. With Aaron Tacke on banjo and Joel Hinds on guitar, the State of the Ozarks String Band will take Richmond Folk Festival audiences on a fast-paced ride through the Ozarks.
Performers on the Center for Cultural Vibrancy Stage
Appalachian Traditions with Chinese Dulcimer
Loudoun County, Virginia
If there’s one thing you can count on at the Center for Cultural Vibrancy Virginia Folklife Stage, it is that it will be graced by the presence of multi-instrumentalist and musical genius Danny Knicely. You can also be sure he’ll be up to something new. Danny has the uncanny ability to thrive in and elevate most any musical situation, and often melds the Appalachian folk music of his youth with the expansive types of music he has encountered in the diverse cultural communities of the US and the globe. He has shared his music and collaborated with musicians in four continents including US State Department tours in Russia, Tunisia, Morocco, and Cabo Verde, as well as participated in the celebrated Mountain Music Project with traditional musicians from Mongolia.
Country Radio Hour
Bristol, VA
Featuring Bill and the Belles, Linda and David Lay, and Elizabeth Laprelle and Elsa Howell
In the 1940s and the 1950s, Farm and Fun Time® was a critically important radio program in Southwest Virginia and the surrounding region that helped to establish the careers of numerous legendary performers including Lester Flatt and Earl Scruggs, the Stanley Brothers, the Osborne Brothers, Mac Wiseman, The Blue Sky Boys, and many more. Musicians both famous and barely known traveled from far and wide for their chance to perform live at the studios of WCYB in Bristol on Farm and Fun Time®, airing every weekday morning, mixing farm and weather reports with “hillbilly music” for rural listeners across Virginia, Tennessee, North Carolina, and West Virginia.
Piedmont Blues
Pittsville, Virginia
Gail Caesar was born in 1984 in Pittsville, Virginia, the small Pittsylvania County town that her family has called home for generations. Gail comes from a rich lineage of oral storytellers and musicians. She still remembers visits from her uncle, country bluesman Pete Witcher, who would sit her down to teach her the trade anytime he passed through town.
Gospel
Richmond, Virginia
Richmond, Virginia, has long been celebrated as a “Gospel town” for its legacy of vibrant Black gospel groups and choirs. Among the city’s generations of countless groups, the Legendary Ingramettes have become widely considered the city’s “First Family of Gospel,” uplifting audiences for more than six decades while becoming beloved cultural icons in the community. Music is one of many forms of ministry they have practiced, and the one they are most famous for. The storied group was originally formed by evangelist “Mama” Maggie Ingram, a single mother who steadfastly taught her five small children to accompany her as her “Ingramettes.”
Honky-tonk
Whitetop Mountain, Virginia
Martha Spencer is a singer-songwriter, mountain musician, and dancer from Grayson County in the Blue Ridge Mountains of Virginia. She comes from a musical family and has been immersed in old-time traditions both at home and in her community from the time she was born. Her father was renowned old-time fiddler Thornton Spencer; her mother is banjoist, singer, and teacher Emily Spencer; and her uncle was the highly-influential luthier and musician Albert Hash. As a child, Martha soaked up the music and culture that was everywhere around her and learned to play several instruments by ear (guitar, fiddle, banjo, bass, dulcimer, mandolin) as well as flatfoot and clog.
Bristol is renowned as the birthplace of country music—but how are musicians in and around this border city evolving its sound for 2023 and beyond? This special set, emceed by Tyler Hughes, executive director of The Crooked Road, features brief performances by 5 musicians who received awards from, or served on, the Greater Bristol Folk Arts & Culture Team (supported by Mid Atlantic Arts’ Central Appalachia Living Traditions initiative).
Classic Soul
Petersburg, Virginia
Born and raised in nearby Petersburg, Virginia, Rodney Stith is quickly becoming one of Virginia’s most beloved up-and-coming classic soul and R&B artists. Petersburg has traditionally been better known for gospel music than soul or R&B, although local Petersburg record shop owner Ben Allen recorded several local doo-wop and R&B groups in the late 1950s for his Nu-Kat Record label, including The Velvatones, The Five Roses and, most prominently, the Continental Five. Still, the musical heartbeat of Petersburg’s African American community remained in the church, which is where Rodney first cut his musical chops, singing and playing bass guitar with his uncle in several local gospel groups and later joining a gospel quartet where he gained an appreciation for singing with great emotion, passion, and soul.
Soul, gospel, and much more
Sherman Holmes and Cora Armstrong are dear friends and periodic musical collaborators. For this year’s Richmond Folk Festival, they will bring together a stellar group of musicians who recently enthralled the audience at a performance sponsored by JamInc. in the auditorium of Richmond’s Mary Mumford School. Joining Cora and Sherman that night were Richmond’s own Andrew Alli on harmonica, Jared Pool on guitar, and Reverend Almeta Ingram-Miller on vocals. CCV executive director Jon Lohman was so blown away by the performance that he invited the same group to perform at the Richmond Folk Festival. They will perform Sunday along with one of Virginia’s finest bluegrass bass players Jacob Eller for a set we strongly suggest you don’t miss.
Appalachian Traditions
Rugby, Virginia
Wayne Henderson was born in Grayson County, Virginia, where he still lives today. He is a full-time luthier and musician who specializes in building guitars and playing a unique finger-picking style. Using a thumbpick and fingerpicks, his playing sounds like flatpicking, with fast, accurate, and clean notes.
Americana
Nashville, Tennessee
Returning to the CCV Stage this year are Wild Ponies, a Nashville-based band led by Virginia natives Doug and Telisha Williams. Doug and Telisha hail from Martinsville, Virginia, where boarded-up factories and shop windows serve as painful reminders of the grim economic plight of a small manufacturing town in an era of globalization.